PAST SEASON: 2019 – 2020

Emerging Artist Initiative: Calibrations of Flux

October 2, 2019

Six dancers in five works by WCD’s newly appointed Artistic Director, Jolene Bailie.

An exciting and theatrical evening of dance.

All works new to WCD.

Artistic Director:
Jolene Bailie

Dancers:
Julious Gambalan, Shayla Rudd, Emily Solstice Tait, Sharazade Vahid, Fiona Witherell and Anastasiya Yevsigneeva

In Partnership with:
The School of Contemporary Dancers

Jolene Bailie

Julious Gambalan

Shayla Rudd

Emily Solstice Tait

Sharazade Vahid

Fiona Witherell

Anastasiya Yevsigneeva

ACTUALIZE

November 29-December 1, 2019

10 dancers dancing, three dance makers, two new works. A celebration of Winnipeg-based artists.

Featuring new works by Winnipeg-based choreographers Ming Hon and Zorya Arrow, as well as an introduction to the work of by WCD’s newly appointed Artistic Director, Jolene Bailie.

Ming Hon’s practice looks into themes of cultural identity, hybridization and race, as well as the economy and politics of the female body. Her work has shown locally, across Canada and internationally in Edinburgh, London and Taipei.

Zorya Arrow is a dance-theatre artist living in Winnipeg whose obsession with authenticity drives the introspective human nature of her work. Arrow is creating a quartet.

Bailie’s work reflects on humanness, soul and identity to express a deeply human experience that is honest, complex and thorough.

Choreographers:
Jolene Bailie, Zorya Arrow and Ming Hon

Lighting Design:
Hugh Conacher

Dancers:
Emma Beech, Carol-Ann Bohrn, Alexandra Garrido, D-Anne Kuby, Shawn Maclaine, Warren McClelland, Arlo Reva, Camila Schujman, Emily Solstice Tait and Natasha Torres-Garner

Jolene Bailie

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Jolene Bailie

Jolene Bailie is Artistic Director of Winnipeg’s Contemporary Dancers. Her work reflects on soul and identity to express a deeply human experience that is honest, complex and thorough. A choreographer, director and producer of contemporary dance, she has created 40 original works, including ten full length works, self-produced over 450 performances, performed the work of many national and international choreographers, and toured her work to national and international acclaim for 19 years, including for festivals, museums and galleries. Bailie has pursued professional development projects annually 1994-2019, holds a MFA from The American Dance Festival/Hollins University, a BA Honours from The University of Manitoba, a Teacher’s Certificate from The Royal Academy of Dance, is a graduate of The School of Contemporary Dancers, and is Founding Artistic Director of Gearshifting Performance Works.

Photo by Gary Sewell

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Zorya Arrow

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Zorya Arrow

Zorya is exploring what place hope and faith have in her life. Since her last performance creation, commissioned in 2017, she has worked on an array of artistic projects, including: lead acting in an indie feature film; dancing for Alexandra Elliott; choreographing for The Threepenny Opera (Sick + Twisted/AA Battery); performing with Theatre Projects Manitoba, Winnipeg’s Contemporary Dancers (for Artist in Residence, Danielle Sturk) and The Mariachi Ghost in Halifax. Grotowski and Viewpoints hugely influence Zorya’s practice, alongside her interests in Contact Improvisation, psychology of the body, Clown, communication, abstraction and realism, boundary setting and storytelling. Zorya is a School of Contemporary Dancers Senior Professional Program graduate, holds a BA Honours, and is a Young Lungs Dance Exchange board member. Catch her in Hamlet, January 2020 (ShakespeareFest).

Photo by Erin Beulow

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Ming Hon

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Ming Hon

Ming Hon is a dancer, choreographer and performance artist, incorporating elements of video and installation. Her practice investigates themes of work, pleasure and the economy/politics of the cis woman’s body. Her works have shown locally and internationally including SummerWorks Festival, as part of The NAC’s Prairie Scene, Fluid Fest, Rich Mix London, and was part of the award winning 2018 programming of CanadaHub in Scotland, among others. She has been featured on CBC, Vice, The Guardian, The BBC and many more. She will be premiering a new solo work ‘Exciting Consequences’ commissioned by Prairie Theatre Exchange in 2020 under her new company A.O.V. Adults Only Video. Hon created Forever in Blue Jeans for WCD in 2014, this is Hon’s second commission for WCD.

Photo by Calvin Lee

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Hugh Conacher

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Hugh Conacher

Hugh Conacher is a lighting and multi-media designer, and a photographer. He has collaborated with choreographers, directors, visual artists, and dance and theatre companies throughout Canada and around the world, in venues large and small. Hugh has a long association with WCD, having worked as Resident Lighting Designer at WCD from 1983-2007, with WCD Artistic Directors Bill Evans, Tedd Robinson, and Tom Stroud. Hugh was a long time collaborator with WCD founder Rachel Browne, as well as current AD Jolene Bailie, having worked with Bailie on over 450 performances.

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Emma Beech

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Emma Beech

Emma Beech is a dance artist from Winnipeg. She graduated from The School of Contemporary Dancers in 2016 and holds a BA (Hons) in dance. Recent credits include performing works by Alex Elliot in the Winnipeg Fringe Festival, Sam Penner in Inertial Response, Carol-Ann Bohrn at Marathon De Creation at Cercle Moliere, Sharon Alward in Sparks and Ali Robson and Natasha Torres-Garner with Weather Parade Dance Theatre. Emma is also studying fine arts at the University of Manitoba. Emma danced as an Emerging Artist in WCD’s Verge (2017).

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Carol-Ann Bohrn

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Carol-Ann Bohrn

Carol-Ann Bohrn grew up in Brandon, MB, and has worked with choreographers in Winnipeg and beyond. Select credits: Winnipeg’s Contemporary Dancers (2019), Gearshifting Performance Works, Sick + Twisted Theatre, Ming Hon, White Birch Ballet, and for television commercials. Previously, Carol-Ann danced under the direction of Bailie at Gearshifting Performance Works for 47 performances, performing works by Jolene Bailie, Rachel Browne and Marie-Josee Chartier, including originating roles in new works and performing on several tours. Recent professional development: Cartae Open School, aceartinc; Foundation Mentorship Program, MAWA. Carol-Ann will be featured in Prairie Theatre Exchange’s By Grand Central Station in March.

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Alexandra Garrido

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Alexandra Garrido

Alexandra Garrido is a contemporary dance artist and choreographer. Recent work includes: The Mariachi Ghost’s Puro Dolor Album Release 2019, a collaboration with Canzona for Membra Jesu Nostri 2018, Previously Untitled with sound artist Joel Mierau, for Mujer Artista: Speaking in Tongues 2017, and Rencor Vivo premiered in Halifax’s Prismatic Arts Festival 2018. Garrido is currently rehearsing By Grand Central Station for Prairie Theatre Exchange this March. Garrido apprenticed with NAfro Dance Company (2012-2014) and is a co-founder of Nova Dance Collective (2008-2017). Garrido holds a Bachelor of Arts Honours from the University of Winnipeg and the Professional Program of The School of Contemporary Dancers.

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D-Anne Kuby

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D-Anne Kuby

Several decades and myriad roles; performer, choreographer, rehearsal director, outside eye, videographer, teacher, student, mentor, muse… D-Anne started her professional dance career as an apprentice to Winnipeg’s Contemporary Dancers in 1978 and danced with the company until 1991, after which she began a more freelance dance existence. D-Anne relocated to Vancouver in 1994 where she was a vital part of the professional community for many years. She has had the great pleasure of studying with and/or dancing for some of Canada’s most renowned dance artists. She returned to Winnipeg in 2008. For the weather.

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Shawn Maclaine

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Shawn Maclaine

Shawn started training at the National Ballet School’s professional program, where he trained for 4 years. After additional training at the Royal Winnipeg Ballet School, Professional Division, his focus shifted to contemporary dance. Shawn is a graduate of The School of Contemporary Dancers where he performed in projects with Odette Heyn, WCD’s Verge and GPS Dance Collective (in Leon, Mexico). Prior to ACTUALIZE, Shawn danced under the direction of Bailie at Gearshifting Performance Works for 26 performances, originating roles in numerous works, performing on tour and in works by Jolene Bailie and Marie-Josee Chartier.

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Warren McClelland

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Warren McClelland

Warren McClelland is a graduate from the Professional Program of The School of Contemporary Dancers. Warren previously worked with Winnipeg’s Contemporary Dancers, 2014-2017, including productions: GORGE, For the Turnstiles, and As Though I Had Wings. Prior to ACTUALIZE, Warren danced under the direction of Bailie at Gearshifting Performance Works for 16 performances and several works. Warren has worked with many choreographers both locally and internationally. Additional credits: Weather Parade Dance Theatre, Alex Elliot, Johanna Riley and WCD’s Verge.

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Arlo Reva

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Arlo Reva

Arlo Reva is a Métis dance artist born and raised in Winnipeg. She is a 2008 graduate of The School of Contemporary Dancers Professional Program. She has twice attended the Banff Centre’s Indigenous Dance Residency surrounded by the beautiful Rocky Mountains. Arlo has worked with two of Canada’s top Indigenous dance companies, Kaha:wi Dance Theatre and Red Sky Performance. In Winnipeg, Arlo has worked with her mentor Stephanie Ballard for 11 years, has performed in numerous productions by Gaile Petursson-Hiley, been featured in a film choreographed by Peter Quanz, worked with her sister, Zorya Arrow, and danced in WCD’s Verge (2018).

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Camila Schujman

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Camila Schujman

Camila Schujman is a dancer and performer based in Winnipeg, Manitoba. Schujman began her training at the Royal Winnipeg Ballet School through their Intensive Training Program. In 2016, Schujman graduated from the Senior Professional Program at The School of Contemporary Dancers. Schujman has performed extensively with Gearshifting Performance Works (GPW) under the artistic direction of Jolene Bailie, originating numerous roles, performing in 29 performances and in works by Jolene Bailie and Marie-Josée Chartier. Additional credits: Pablo Bronstein (facilitated by Rosalie Wahlfrid), Roger Sinha, Patti Caplette and Alexandra Garrido.

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Emily Solstice Tait

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Emily Solstice Tait

Emily Solstice Tait is of mixed Ojibway and Settler heritage living in Treaty 1 Territory. She is the Artistic Associate of IndiArts & Mixed Blood Productions. A multidisciplinary artist working in theatre, devising, stage management and performance. Including: Théâtre Cercle Molière Marathon De Crèation (Miguel Fortier), Sarasvati Productions, Theatre New Brunswick and Confederation Centre for the Arts, Raven Spirit Dance, Rouge-Gorge. She is a graduate of The School of Contemporary Dancers where she had the opportunity to perform with Odette Heyn-Projects & Winnipeg Symphony Orchestra, Stephanie Ballard and Dancers, WCD’s Verge, WCD’s Emerging Artist Initiative, and Creando Lazos a Través de la Danza (Léon & Guanajuato).

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Natasha Torres-Garner

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Natasha Torres-Garner

Natasha Torres-Garner has a long history with WCD, performing in original works for WCD by more than ten choreographers, 2002-present. In addition, she has performed with Montreal’s Fortier Danse Création, Bill Coleman, in repertoire by Toronto’s Marie-Josée Chartier (with Gearshifting Performance Works) and by the late Jean-Pierre Perreault. Natasha’s dedication to the independent community in Winnipeg has included working with Tom Stroud, out of line theatre, TRIP Dance Company, Treasure Waddell, Ali Robson, Johanna Riley, Alex Elliott, Leigh Anne Parry, Danielle Sturk, Ming Hon and Mia Van Leeuwen and with directors Arne MacPherson and Hope McIntyre.

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Animal Triste

February 13-15, 2020

Visceral and highly charged, Animal Triste investigates how instincts drive relationships, despite delusions.

Animal Triste comes to the prairies for the first time with an impressive history of acclaimed success all over the world, including performances in Montreal, Toronto, Ottawa, Vancouver, Brazil, France, Italy, Sweden, the Netherlands, Israel, the United States and more. Featuring a cast of dancers from Montreal, Toronto and Vancouver.

Choreography:
Mélanie Demers

Featuring Montreal-based, Guest Company:
MAYDAY

Dancers:
Marc Boivin, James Gnam, Brianna Lombardo and Léa Noblet Di Ziranaldi

Mélanie Demers

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Mélanie Demers

A multidisciplinary artist, Mélanie Demers founded her own dance company, MAYDAY, in Montréal in 2007. Her work has won over audiences with its originality, intensity and complexity, all while exploring the bleaker side of the human condition. An artist who believes in the importance of social engagement, she has worked abroad as a dance teacher in a number of countries including Kenya, Niger, Brazil and Haiti. The harsh reality of these developing countries has convinced her that art only matters if it is invested with political significance and serves as a call to action and reflection. Les Angles Morts (2006), Sense of Self (2008), Junkyard/Paradise (2010), Goodbye (2012) and MAYDAY remix (2014) were all created with this perspective in mind. Her piece WOULD (2015) won the CALQ Prize for Best Choreography for the 2014-2015 season, highlighting the artistic excellence of a work produced in Québec.

In 2016, Mélanie Demers began a new creative cycle with Animal Triste and Icône Pop. Both works have toured internationally and in August 2017 Icône Pop was awarded the Buddies in Bad Times Vanguard Award for Risk and Innovation at the SummerWorks Performance Festival in Toronto. Recently, Mélanie Demers was invited to work as a guest choreographer at the Skånes Dansteater in Malmö, Sweden for the creation of Something About Wilderness and at the Operaestate Festival in Bassano del Grappa, Italy. Her latest project, Danse Mutante (2019), is a choreographic relay over three continents kicking off in Montréal. A single dance duo will pass through the sensibilities of four different female choreographers (including Demers herself) before it crossed the finish line with a marathon event in Montréal in 2019, where all four versions—the original and its “mutations”—will be presented. To date, Mélanie Demers has choreographed twenty works which have been presented in over thirty cities throughout Europe, the Americas, Africa and Asia.

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MAYDAY

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MAYDAY

MAYDAY: distress call dispatched mainly by boats and aeroplanes. In use since the early 20th century, probably derived from the French expression “Venez m’aider!” (Come help me!).

For the choreographer and artistic director of MAYDAY, Mélanie Demers, the stage is a platform for performers to reflect as a group, a space for calling into question the role of the artist and the genre of theatre, and where our collective and individual fates are pondered. She does not subject audiences to accusatory harangues, nor does she wallow in a mood of sterile resignation: she simply draws our attention to the dark side of the human condition. Her works are at once a cry for help and a call for change. Hence the name MAYDAY: in the eyes of Mélanie Demers this word is imbued with equal parts hope and despair.

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James Gnam

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James Gnam

James Gnam trained at the National Ballet School of Canada and from 1998 to the present, has worked with Les Grands Ballets Canadiens de Montréal, Ballet BC, EDAM dance, Grand Poney and MAYDAY. He has had the pleasure of creating, collaborating and performing in works by Crystal Pite, Twyla Tharp, Mark Morris, Jiri Kylian, Peter Bingham, Thomas Lehman, Lee Su-Feh, Jacques Poulin-Denis, Barak Marshall and Mélanie Demers. James is the artistic director of plastic orchid factory and a founding member of Vancouver’s only artist run dance centre left of main. With plastic orchid, he collaboratively devises interdisciplinary work that focuses the body as a site of social commentary.

®Mathieu Doyon

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Léa Noblet Di Ziranaldi

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Léa Noblet Di Ziranaldi

Born in France, Léa Noblet Di Ziranaldi is a young performer from Montreal. She began her professional training in dance at the Conservatoire de Lyon and the Université Lumière Lyon 2 where she obtained a degree in Performing Arts (theater and dance). Her career then led her to Québec, where she graduated in 2018 with a Bachelor of Dance degree at the Université du Québec à Montréal, where she worked alongside inspiring artists and pedagogues such as Danièle Desnoyers, Nicole Harbonnier and Manon Levac which allow her to sharpen her own vision of dance, between European and North American fashion. The following year she worked as an independent dancer with Mélanie Demers (Mayday) and collaborated in France with Marie Fulconis (la Mazane) with whom she performed at the Avignon Festival 2019.

© Giorgio Cafiero

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Brianna Lombardo

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Brianna Lombardo

Brianna Lombardo completed her professional training at the School of Toronto Dance Theatre, and then worked with various international artists in Europe on a Chalmers Arts Fellowship. As an independent dancer, she worked in Toronto with Michael Trent and Matjash Mrozewski, and in Montreal with Isabelle Van Grimde and Jean-Pierre Perreault, before joining the O Vertigo company from 2004 to 2010. After six years with the company, she rejoined the dance community as a freelancer and worked closely with Mélanie Demers (MAYDAY), Jacques Poulin-Denis (Grand Poney), Frédérick Gravel (Grouped’ArtGravelArtGoup), Caroline Laurin-Beaucage, Martin Messier and Sasha Ivanochko. Alongside her dancing work since 2010, she has been teaching the O Vertigo and MAYDAY repertoires.

®Mathieu Doyon

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Marc Boivin

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Marc Boivin

Marc Boivin is a performer, improviser, teacher and choreographer. He began his dance career at Le Groupe de la Place Royale under the directorship of Peter Boneham before joining Ginette Laurin and her company O Vertigo Danse in 1985. Since 1991 he has worked as an independent dancer, performing mainly for Louise Bédard, Sylvain Emard, Jean-Pierre Perreault, Catherine Tardif, Tedd Robinson and since 2007, in some of his own creations. He has been affiliated with the École de danse contemporaine de Montreal since 1987 and regularly guest teaches and choreographs in schools and companies across Canada. For his performance in the play WOULD, choreographed by Mélanie Demers, Marc Boivin received the Dora Mavor Moore Award during the summer of 2014.

®Mathieu Doyon

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VITALITY and the speed of life

This show was cancelled due to COVID-19

New Work by Artistic Director, Jolene Bailie, featuring an ensemble of dancers and lighting design by long-time collaborator, Hugh Conacher.

Driven by instinct, Bailie’s new work researches vitality as life force. Desire, presence and our temporal existence are questioned as the dancers push beyond themselves to become what is vital in the moment.

Choreographer:
Jolene Bailie

Lighting Designer:
Hugh Conacher

Sound Design:
Susan Chafe

Dancers:
Carol-Ann Bohrn, Hélène Le Moullec Mancini, Julious Gambalan, Shawn Maclaine, Warren McClelland, Aaron Paul, Sam Penner and Camila Schujman

Video:
Landon Lake

Jolene Bailie

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Jolene Bailie

Jolene Bailie is Artistic Director of Winnipeg’s Contemporary Dancers. Her work reflects on soul and identity to express a deeply human experience that is honest, complex and thorough. A choreographer, director and producer of contemporary dance, she has created 40 original works, including ten full length works, self-produced over 450 performances, performed the work of many national and international choreographers, and toured her work to national and international acclaim for 19 years, including for festivals, museums, and galleries. Bailie has pursued professional development projects annually 1994-2019, holds a MFA from The American Dance Festival/Hollins University, a BA Honours from The University of Manitoba, a Teacher’s Certificate from The Royal Academy of Dance, is a graduate of The School of Contemporary Dancers, and is Founding Artistic Director of Gearshifting Performance Works.

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Hugh Conacher

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Hugh Conacher

Hugh Conacher is a lighting and multi-media designer, and a photographer. He has collaborated with choreographers, directors, visual artists, and dance and theatre companies throughout Canada and around the world, in venues large and small. Hugh has a long association with WCD, having worked as Resident Lighting Designer at WCD from 1983-2007, with WCD Artistic Directors Bill Evans, Tedd Robinson, and Tom Stroud. Hugh was a long time collaborator with WCD founder Rachel Browne, as well as current AD Jolene Bailie, having worked with Bailie on over 450 performances.

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Susan Chafe

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Susan Chafe

Much of Susan Chafe’s work bridges boundaries between mediums. She has exhibited in art galleries nationally and internationally and collaborated with visual, theatre and dance artists from Winnipeg and elsewhere on text, sound, performance, video and installation based projects. Susan previously created sound for Jolene Bailie’s work through Gearshifting Performance Works, including the full length productions, Sensory Life, Infinite World, Inspiro, All You Can Eat/the Top?, Myriad Beings, Happyland, and Hybrid Human in collaboration with Wanda Koop, which premiered at The Winnipeg Art Gallery, and toured to Beijing, Xian, Ottawa, Toronto and Vancouver. Susan also designs books and monographs for writers, artists and galleries throughout Canada and in the US and has been a mentor for MAWA and Video Pool.

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Carol-Ann Bohrn

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Carol-Ann Bohrn

Carol-Ann Bohrn grew up in Brandon, MB, and has worked with choreographers in Winnipeg and beyond. Select credits: Winnipeg’s Contemporary Dancers (2019-present), Gearshifting Performance Works, Prairie Theatre Exchange, Sick + Twisted Theatre, Ming Hon, White Birch Ballet, for television commercials, and in her own work. Previously, Carol-Ann danced under the direction of Bailie at Gearshifting Performance Works for 47 performances, performing works by Jolene Bailie, Rachel Browne and Marie-Josee Chartier, including originating roles in new works and performing on several tours. Recent professional development: Cartae Open School, aceartinc; Foundation Mentorship Program, MAWA.

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Hélène Le Moullec Mancini

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Hélène Le Moullec Mancini

Since graduating from the School of Contemporary Dancers with a B.A Honours in Dance in 2005, Hélène has continuously worked as a dance artist in Winnipeg and in works by guest choreographers from all around the world. Select credits: currently in her 15th season with NAfro Dance Productions, six seasons and over 50 performances under the direction of Jolene Bailie at Gearshifting Performance Works (2013-2019), seven full productions with Paula Blair, and work with Stephanie Ballard and Brent Lott. Hélène has toured to Montreal, Toronto, Vancouver and China performing in numerous galleries and festivals. She is a trained dance teacher currently teaching movement at the Selkirk Mental Health Centre for Manitoba Artist in Health Care and is the Artistic Manager for the Winnipeg Comedy Festival.

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Julious Gambalan

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Julious Gambalan

Julious Gambalan is in his graduating year at The School of Contemporary Dancers. This program allows him to graduate with a BA Honours in Dance, along side his BSC obtained in 2016. Through SCD, Julious has had the opportunity to tour within Canada: at Stream of Dance Festival in Regina and New Blue Festival in Toronto. He has performed as an emerging artist with NAfro Dance Productions, Winnipeg’s Contemporary Dancers, and with WCD’s Emerging Artist Initiative and Verge.

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Shawn Maclaine

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Shawn Maclaine

Shawn started training at the National Ballet School’s professional program, where he trained for 4 years. After additional training at The Royal Winnipeg Ballet School, Professional Division, his focus shifted to contemporary dance. Shawn is a graduate of The School of Contemporary Dancers where he performed in projects with Odette Heyn, WCD’s Verge, and GPS Dance Collective (in Leon, Mexico). Previously Shawn danced under the direction of Bailie at Gearshifting Performance Works for 26 performances, originating roles in numerous works, performing on tour, and in works by Jolene Bailie and Marie-Josee Chartier. Shawn has been dancing with WCD since fall of 2019, and was recently featured in WCD’s ACTUALIZE in COMMENTARY ON/OFF by commissioned choreographer, Ming Hon.

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Warren McClelland

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Warren McClelland

Warren McClelland is a graduate from the Professional Program of the School of Contemporary Dancers. Warren previously worked with Winnipeg’s Contemporary Dancers, 2014-2017, including productions: GORGE, For the Turnstiles and As Though I Had Wings. Warren recently danced under the direction of Bailie at Gearshifting Performance Works for 16 performances, in several works, in Winnipeg and on tour. Warren returned to WCD in September 2019, working with Bailie for Modulations and The Space in Between, including for WCD’s ACTUALIZE. Warren has worked with many choreographers both locally and internationally. Additional credits: Weather Parade Dance Theatre, Alex Elliot, Johanna Riley and WCD’s Verge.

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Aaron Paul

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Aaron Paul

Aaron previously danced with WCD for the productions: Misfit Blues (“Thin Ice,” Choreography: Paul Andre Fortier), Duets (Choreography: Lesandra Dodson), and as an emerging dancer in WCD’s Verge. Aaron danced under the direction of Jolene Bailie at Gearshifting Performance Works in Winnipeg and on tour, including for 33 performances and in work by Jolene Bailie and Marie-Josee Chartier and for the works: Altered Aspects, petites danses, quartet, Give and Take in the Kingdom of Love, Phase Wash, Mini Vignettes on Life and Love, The Running of the Bulls, Schemas, 1-5. Aaron is a graduate of The School of Contemporary Dancers, with additional training including The Royal Winnipeg Ballet School and Alberta Ballet School.

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Sam Penner

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Sam Penner

Sam Penner has called Manitoba her home, and dance her passion, for her whole life. A 2013 graduate from The School of Contemporary Dancers, Sam danced in WCD’s Verge from 2013-2015 and performed with Winnipeg’s Contemporary Dancers in eight productions, including in choreography by Brent Lott, Johanna Riley and Peggy Baker, 2013-2017. From 2017-2019 she danced with Gearshifting Performance Works, under the direction of Jolene Bailie, for the works Phase Wash and Schemas, 1-5, both in Winnipeg and on tour. She recently expanded her independent career into choreography and creation, and premiered her first choreographic work, Nothing Doing (September 2019), under the mentorship of Alexandra Elliot.

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Camila Schujman

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Camila Schujman

Camila Schujman is a dancer and performer based in Winnipeg, Manitoba. Schujman began her training at the Royal Winnipeg Ballet School through their Intensive Training Program. In 2016, Schujman graduated from the Senior Professional Program at the School of Contemporary Dancers. Schujman has performed extensively with Gearshifting Performance Works (GPW) under the artistic direction of Jolene Bailie, originating numerous roles, performing in 29 performances, and in works by Jolene Bailie with Marie-Josée Chartier. Additional credits: Pablo Bronstein (facilitated by Rosalie Wahlfrid), Roger Sinha, Patti Caplette, Alexandra Garrido and for Mujer Artista: Puesto / Place. Camila joined WCD in the fall of 2019 and was recently featured in WCD’s ACTUALIZE, in “Faith’s a Thing” by WCD commissioned choreographer, Zorya Arrow.

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